He was silent for a while, with a quiet look on his face. “But you’ll get out of that,” suggested Joan. “You’ve got the actress face.”!

Joan had difficulty in deciding on her own frock. Her four evening dresses, as she walked round them, spread out upon the bed, all looked too imposing, for what Mrs. Phillips had warned her would be a “homely affair.” She had one other, a greyish-fawn, with sleeves to the elbow, that she had had made expressly for public dinners and political At Homes. But that would be going to the opposite extreme, and might seem discourteous—to her hostess. Besides, “mousey” colours didn’t really suit her. They gave her a curious sense of being affected. In the end she decided to risk a black crêpe-de-chine, square cut, with a girdle of gold embroidery. There couldn’t be anything quieter than black, and the gold embroidery was of the simplest. She would wear it without any jewellery whatever: except just a star in her hair. The result, as she viewed the effect in the long glass, quite satisfied her. Perhaps the jewelled star did scintillate rather. It had belonged to her mother. But her hair was so full of shadows: it wanted something to relieve it. Also she approved the curved line of her bare arms. It was certainly very beautiful, a woman’s arm. She took her gloves in her hand and went down. “Would there not still be the diamond dog-collar and the motor car left to tempt us?” suggested Madge.

“They do sometimes,” answered Hilda, “if you happen to be in the way, near the feeding troughs. If they’d only put all the refreshments into one room, one could avoid it. But they will scatter them about so that one never knows for certain whether one is in the danger zone or not. I hate a mob.” He was sitting on the front seat, facing her. “I’m glad I went,” he said with sudden vehemence. “I loved watching you, moving about among all those people. I never knew before how beautiful you are.” She turned down the Embankment after leaving the house. She always found the river strong and restful. So it was not only bad women that needed to be afraid of themselves—even to the most high-class young woman, with letters after her name, and altruistic interests: even to her, also, the longing for the lover’s clasp. Flossie had been right. Mother Nature was not to be flouted of her children—not even of her new daughters; to them, likewise, the family trait.